There are probably a gizillion posts on wellness and water and breathing and yoga and and and and…..etc. I wonder how many of them are actually rooted in justice? I have another website you know called Kimberley K. Stone. Super easy it’s my legal name and yet even that is complicated. Now that is definitely content for at least one book. I promise you I’ve got an interesting story. One day when I finally sit down to write it you will be absolutely fascintated. Today and right now and for the forseeable future is not that day. Today I’m just doing me best like everybody else to keeping my head above water, my nostrils out of the mud, remembering to breath and being grateful for having a moment of gratitude for any of it.
Once again if you have known me for a while you probably also know, that I am constantly reassessing my alignment, my progress and my intent. For the last few years my work has quite distinctly been focused on the The Life Doula. Even though my first career was in curatorship and community activism I rarely talk about it or rarely take and interest in it. Please don’t talk to me about art, these days I find it utterly dull and have done for a very long time, sad but true.
An Honours in Post-Colonial Theory in Scottish Art put me firmly on a decolonising approach to art curatorship. Which largely means embodying de-centering white voices or for the advance practicioner non-indiginous voices. So yes, my decolonising curatorial practices basically ended my career. You are welcome.
This practice of post-colonial and decolonised curatorial practice can now easily be defined for me as Radical Curatorship. Which I am now having to both reexamine and revisist. What I realise is that in my curatorial practice I went silent without ever explaining why this was part of a process many years ago that didn’t have social media at it’s center. Now after my experience at the COP15 which I talk about in my previous post ‘Getting Back on the Band Wagon’ I have decided to take up the reigns on the decolonisation process again as what I might identify as a Liberation Educator. Quite simply because few of the things that I advocate for in my silence are actually being heard at all. That I need to be more expliity in what I know and what I stand for. I do this knowing that white centering is a thing. However in a systemically traumatised system I have to affirm that very few of the pale males in power are listening to marginalised voices of any hue. It was both heartening and distrubing to realise how white women still sat at the center of the dissemination of power of a global institution that was both Eurocentric and majority white. I don’t think I even have the capacity to begin to unravel how these are the best terms that I can use in this moment to describe what I witnessed. These terms are so very far from adequite in my quest to unravel the role of language in the creation of systemic trauma.
So for these reason’s I have now decide that it is entirely appropriate for The Life Doula as a brand to center the issues that are critical for ecojustice at this time. Centering ecojustice is the easiest way to get white people to listen. The lowest common denominator and right now that will just have to do. Of course ecojustice can’t happen if we don’t take into account all the other factors like women’s rights, decolonisation, indigenous rights, anti-racism and a wellbeing economy. So that is where we or in this particular instance I begin.
The other thing that I would like to add is that when I returned to the UK in 2019 I was somewhat emboldened by Extinction Rebellion of which I am a member if loseley. Their sign off on all their letters and communications is love and rage. It started to get me thinking about a powerful message that I could use as a sign of on my communications, especailly when working under my own name, Kimberley K. Stone, that unperpinned the ideas of Radical Curatorship. It became very clear very fast. My sign off is Beauty & Justice. I hope that we will find some here, in this life time for everybody.
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This article was written by a dyslexic with a punk attitude.
